I Capture the Castle – Dodie Smith

In which we wonder: What’s with the realism?

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The good ladies at Pemberley have talked so much about I Capture the Castle that when I found it at Waterstone’s 3 for 2 sale, I obviously jumped at the chance to finally read it. I’d like to say I was not disappointed, unfortunately that would not be entirely true.

All they have said about the story is correct. The narrator is captivating. The characters deliciously eccentric and real. The story flows along and drags you ever onwards – it’s not a book you want to put down.

And then it ends. Realistically ambigiously, no doubt about that, but not on the ‘they lived happily ever after’ note that I was hoping for. Hang realism, I like ‘they lived happily ever after’.

If this continues I am going to have to start reading Mills&Boons.

Greatest Hits Vol 1

In which we have good laughs all over again.

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I just had to buy Are Kalvø’s Greatest Hits Vol 1 when I saw it. I’ve laughed a lot at Kalvø (he’s a stand-up comedian as well), and I’d only read the second of the three books contained in this volume previously, so there was great potential here. And I wasn’t disappointed.

Social criticism can feel very dated after just a short time, but I didn’t find that to be a problem with this volume. Maybe the world hasn’t changed much. The way the tabloids present news (alleged) certainly hasn’t. Nor has the contents of the average evening’s scheduled tv-programmes. This is kind of sad. On the other hand, it made the basis for good entertainment while reading this book, so I can’t feel too sorry just now.

Angels

In which Robin shouts: Oh, not again!

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Why do these people keep doing this to me? Why do they keep spoiling a perfectly good read with a crappy ending? Why?

I like Marian Keyes’ books, I really do. And getting to know more of the Walsh’s – though I must admit to not realising Watermelon and Rachel’s Holiday were connected until bits of Angels started sounding very familiar – is a good thing. However, that is no sort of excuse for this behaviour. Having a «happy ending» that involves forgiving adultery is a bit alien to me (it’s what Pilcher did, too, in Starting Over), but at least I can accept that people think differently on that subject, but from a narrative structure point of view you can’t have a happy ending which involves someone the reader never has a chance to get to know (also alarmingly like Pilcher), I’m sorry, you just can’t.

Get a grip, Keyes (and Pilcher).

(To be left in London, I’m not carrying this home for love or money.)

An Ocean Apart

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Linda assured me that An Ocean Apart would have a «proper» ending, so finding it in Oxfam in Aberdeen, I decided to give Robin Pilcher another chance. It ends well, I can affirm that, on the other hand I didn’t find this story anywhere near as engaging as Starting Over, despite the fact that the main characters are involved in the whisky industry. It reads well, and kept me occupied on various trains and buses, but it lacks a certain something to make it really good. So, still not entirely happy. I seem to be in the mood for disapproving of books at the moment. Well, I hope whoever picks it up from where I left it in London will enjoy it more than I did.

Mrs P’s Journey: The Remarkable Story of the Woman Who Created the A-Z Map – Sarah Hartley

In which we are delighted and annoyed, but mostly annoyed.

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I found Mrs P’s Journey: The Remarkable Story of the Woman Who Created the A-Z Map by Sarah Hartley in a charity shop somewhere along the way. I must admit I had never heard of Phyllis Pearsall before, and neither had it really occurred to me that the A-Z is something that must have been «created» at some point – it seems like such a fixture – though on reflection it’s pretty obvious that it hasn’t always been around… This, of course, was motivation enough to make the book an interesting purchase.

«Remarkable story» is right, Phyllis Pearsall was some lady, and her life seems to have contained enough events to fill more than the one little volume this book is. However, I found Hartley’s style increasingly annoying, which did detract a lot from the pleasure of reading about Mrs. P. «Disorganised and haphazard» are words that come to mind. An example: Phyllis is living in Paris, having a hard time making ends meet, she hears of an English-language magazine and thinks «I could write for that», she sits at a table writing an article when she first lays eyes on Vladimir Nabokov, she goes to visit the magazine in question to ask if she may write for them and is told to submit an article which she sits down to do a few days later… The article she is writing when she first sees Nabokov. That is the exact order in which the events are related, and Nabokov is only mentioned in passing to surface again three pages later once the whole visiting-the-magazine-and-settling-down-to-write episode is over.

Maybe I’m easily annoyed. Whatever. I still decided to bring the book home with me once I’d finished rather than leave it, so I guess that means I’m planning on reading it again one day.

Starting Over

In which a new beginning is completely the wrong end.

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Having read and enjoyed all of Rosamund Pilcher’s books, I have been meaning to pick up her son’s novel An Ocean Apart, but never got round to it. In Waterstone’s in Brighton I found his latest volume, Starting over, and thought: «Why not?» So it made its way into my shopping bags (along with, it must be said, rather a lot of other books). I thought this might do well for holiday reading, and I was right. I expected the novel to last me until Scotland (Sunday) at least, as it didn’t seem like I’d read that much earlier on in the week, but I started it on the Thursday in Clonmel and finished it on the bus to Dublin the next day. Once I had been caught up in the story it was well nigh impossible to put it down. Apart from obviously having mastered the design of plots that draw the reader on, Pilcher also creates characters that are believable and sympathetic. Having said that, I was NOT happy with the ending of this book – I still recommend it, but be forewarned that it does not «do what it says on the box» (it being a «they lived happily ever after» sort of box, and to my mind this was not how the story ended – which left me feeling somewhat cheated). I will leave it along the way somewhere…

No News at Throat Lake – Lawrence Donegan

In which we feel pointlessness.

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Still not sated with all things Irish (probably because the trip was looming large in my mind) I decided to pop down to Tanum and see if I could find a suitable book to bring to read while on the road, preferably one I could easily dump once I’d done with it. I picked up No News at Throat Lake by Lawrence Donegan, and it pretty much fulfilled the purpose.

Donegan escapes city life and goes to live in rural north of Ireland, and relates his trials with humour. However, as the whole thing ends with him chucking it and moving back to the big city, I was left with a feeling that the whole thing was somewhat pointless, and though I’m sure he’d learnt a thing or two about himself, he didn’t really relate it effectively enough for me to feel that the whole experience wasn’t just a complete waste of time.

Luckily, that meant I was not tempted to carry the book home with me – finished it while in Ennis, and left it there, with a bookcrossing label inside.

McCarthy’s Bar

In which we learn about the rules of engagement.

Or was it travel? Having finished Tony Hawks I thought some more travel-in-Ireland was in order and therefore reread Pete McCarthy’s McCarthy’s Bar, where, amongst other things, he lays out a few of the rules of travel. The one that gives the book its name is ‘8. Never pass a bar which has your name on it.’ An admirable sentiment, though somewhat more useful if your name is Pete McCarthy than if it’s Ragnhild Sandlund. Never mind.

Round Ireland with a Fridge

I seem to have concluded that I will not be able to reread both A Portrait of the Artist as a Young Man and Ulysses before I go to Ireland. Considering the fact that it’s now only 75 hours before I leave for the airport, this is probably a sensible conclusion to come to (especially as I’ll have to subtract at least 12 hours for work and hopefully 22 for sleep).

So I’ve been rereading Tony Hawks’ Round Ireland with a Fridge instead, which is less intellectually snobbish, but at least as much fun.

Hawks somehow gets himself into a bet that he can’t hitch-hike the circumference of Ireland with a fridge, and as absurdities go, this one’s quite good in itself and should make for an interesting read at least. Add then Hawks’ exemplary ability to get into contact with people and to relate conversations (something certain other travel writers should learn a bit from), and you’re basically in for a craic. Or something.

 

Anyway, I enjoyed it last time round, I enjoyed it this time round, and I’m really looking forward to getting to Ireland.

Fast Food Nation – Eric Schlosser

In which we swear off fast food forever.

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Fast Food Nation is a book calculated to make you lose your appetite. On the other hand there is such a lot of talk of hamburgers and fries (and tacos and pizzas) that it’s very difficult not to obsess about food while reading it. A somewhat mixed experience, in that respect.

A somewhat mixed experience in many respects, actually. The book’s adequately well written, not in itself a very compelling read, but once I got into it I found it hard to put it down because I wanted to be done with it and go on to something more pleasant. It seems thoroughly researched, and I can’t really see any reason to doubt the main gist of Schlosser’s argument – that the fast food industry is bad for just about everything: The food’s unhealthy (whenever it isn’t lethal), the workers are unhappy and the effect on the economy as a whole is negative too.

Successful in it’s bid to make you averse to entering a fast food «restaurant» ever again, I still found the book patchy in its arguments. In fact, the whole «feel» was spoiled by just one jarring episode; Schlosser visits a slaughterhouse and gets a guided tour, starting at the «wrong end» in the packaging room and getting progressively closer to where «meat» is still «cattle». This description could have been very effective if he’d left the focus on the knocker, for example – stunning hundreds of cattle a day (up to 400 an hour), every day, must be a pretty terrible sort of job to do, even for the most determined carnivore. But this is where Schlosser slips into sentimentality, he exits the «plant» the way the cattle come in, and spends some time expounding the way the big brown eyes look at him, the way the ramp is designed so that the cattle do not see what’s coming. Now, I eat meat. I would prefer not to have to slaughter the animal myself prior to eating it, but I would if I had to. I have no illusions about the steak or bacon I buy at the supermarket, I know perfectly well that a short while ago this bit of meat was part of a (hopefully) healthy, (hopefully) happy, (definitely) living, breathing animal. Such is life. If it bothered me I would become a vegetarian.

The fact that the system is condusive to mistreatment of the animals, poor conditions for the workers, all sorts of odds and ends ending up in the food (bone, gristle, excrement, glass, what-have-you) and one small sample infected with e-coli 0157:H7 making millions of hamburgers lethal bothers me in the extreme, and the uncovering of all this makes the book interesting reading. The fact that the hamburger I eat was once part of a cow (or more likely hundreds of cows), bothers me not one iota, and the descent into sentimentalism mars what was otherwise a persuasive read.

But it will be a while before I eat at McDonald’s again.